Utilize este identificador para referenciar este registo:
https://hdl.handle.net/1822/51821
Título: | Testing the blending |
Autor(es): | Moura, Vítor |
Palavras-chave: | Estética do teatro Fusão conceptual |
Data: | 2016 |
Editora: | European Society for Aesthetics |
Resumo(s): | This paper intends to measure the plausibility and the explanatory traction of the notion of “conceptual blending” as an account of theatrical experience. First, by assessing its novelty as a new definition of what is specific to theatre as an art form, and a suitable alternative to Aristotelian and Brechtian conceptions. It seems that by placing conceptual integration as the basic theatrical experience and by reviewing role-playing as the cognitive foundation of theatre, the concept of blending allows us to reassess the importance of emotional empathy, or detachment, in theatre. In a given sense, emotional empathy or sympathy become just an ingredient of blending, albeit a very significant one. Second, we shall try to place theatrical blending side by side with other theories of art (namely, visual art) that portray artistic representation as a a kind of “shuttle” or “fusion” between configuration and content. In particular, we propose that theatrical blending works as a kind of “seeing in”. More recent developments of Wollheim’s concept – such as Bence Nanay’s – will be adapted to the experience of role-playing in order to test whether this constitutes a suitable analogy. |
Tipo: | Artigo em ata de conferência |
URI: | https://hdl.handle.net/1822/51821 |
Versão da editora: | http://www.eurosa.org/volume-8/ |
Arbitragem científica: | yes |
Acesso: | Acesso aberto |
Aparece nas coleções: | CEHUM - Artigos em livros de atas |
Ficheiros deste registo:
Ficheiro | Descrição | Tamanho | Formato | |
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Testing the Blending paper.pdf | 208,96 kB | Adobe PDF | Ver/Abrir |
Este trabalho está licenciado sob uma Licença Creative Commons