Two texts on dance

Utilize este identificador para referenciar este registo: https://hdl.handle.net/1822/8972

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Campo DC	Valor	Idioma
dc.contributor.author	Moura, Vítor	-
dc.date.accessioned	2009-04-23T13:32:57Z	-
dc.date.available	2009-04-23T13:32:57Z	-
dc.date.issued	2006	-
dc.identifier.citation	MACEDO, Ana Gabriela ; GROSSEGESSE, Orlando, org. – “Poéticas inter-artes : do texto à imagem, ao palco, ao écran : actas do Colóquio… Braga, Portugal, 2003”. Braga : Centro de Estudos Humanísticos da Universidade do Minho, 2006. ISBN 972-8063-40-7. p. 99-115.	en
dc.identifier.uri	https://hdl.handle.net/1822/8972	-
dc.description.abstract	The subject of representation in the arts is as old as art itself. Is the acknowledgement of what an artistic object is supposed to represent – if anything – an intrinsic part of aesthetic experience? The suitability of either a negative or a positive answer to this tricky question differs widely across the arts and makes it very difficult to achieve a satisfactory all-inclusive reply. A way to deal with the problem has been to adapt the very notion of “representation” in order to make it adjustable to all arts in a kind of “variable geometry” of the concept.	en
dc.language.iso	por	en
dc.publisher	Universidade do Minho. Centro de Estudos Humanísticos (CEHUM)	en
dc.rights	openAccess	en
dc.subject	Pina Bausch	en
dc.subject	Metaphor	en
dc.subject	Emotions	en
dc.subject	Representation	en
dc.title	Two texts on dance	en
dc.type	conferencePaper	en
dc.peerreviewed	yes	en
sdum.pagination	99-115	en
sdum.publicationstatus	published	en
oaire.citationConferenceDate	2003	en
sdum.event.location	Braga, Portugal	en
sdum.event.title	Poéticas Inter-Artes – do texto à imagem ao palco, ao écran	en
sdum.event.type	meeting	en
Aparece nas coleções:	CEHUM - Artigos em livros de atas

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