Please use this identifier to cite or link to this item: http://hdl.handle.net/1822/54579

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dc.contributor.authorPipa, Luís Filipe Barbosa Loureiropor
dc.date.accessioned2018-04-24T07:37:35Z-
dc.date.available2018-04-24T07:37:35Z-
dc.date.issued2017-
dc.identifier.urihttp://hdl.handle.net/1822/54579-
dc.description.abstractThe eighteen sonatas of Wolfgang Amadeus Mozart are among the best-loved cycles within the piano repertoire of all times. As this compositional form deals with musical material that is constantly recapitulated and developed in different keys, this presentation will analyse how Mozart was forced to introduce changes to the text where notes to analogous passages were missing due to compass restrictions of the instrument. Through the demonstration of several examples, this presentation, in the form of a Lecture/Recital, will reveal how Mozart often made use of his inspiration to overcome those restrictions, and how the solutions he found may present an additional challenge to the interpreter, when playing on a modern piano.por
dc.language.isoengpor
dc.rightsopenAccesspor
dc.subjectMozartpor
dc.subjectPianopor
dc.subjectSonataspor
dc.subjectCompass restrictionspor
dc.subjectInspirationpor
dc.subjectInterpretationpor
dc.titleInspiring new beauties in Mozart's piano sonataspor
dc.typeoralPresentationpor
dc.peerreviewedyespor
oaire.citationConferenceDate10 - 13 Ag. 2017por
sdum.event.titleEPTA International Conferencepor
sdum.event.typecongresspor
oaire.citationConferencePlaceHelsinkipor
dc.subject.fosHumanidades::Artespor
dc.description.publicationversioninfo:eu-repo/semantics/draftpor
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