Please use this identifier to cite or link to this item: http://hdl.handle.net/1822/49995

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dc.contributor.authorNascimento, Sérgio M. C.por
dc.contributor.authorLinhares, João M. M.por
dc.contributor.authorJoão, Catarina Alexandra Rodriguespor
dc.contributor.authorAmano, Kinjiropor
dc.contributor.authorMontagner, Cristinapor
dc.contributor.authorMelo, Maria J.por
dc.contributor.authorVilarigues, Márciapor
dc.contributor.authorFreitas, Maria Helena depor
dc.contributor.authorAlfaro, Catarinapor
dc.contributor.authorBailão, Anapor
dc.date.accessioned2018-02-01T16:08:23Z-
dc.date.issued2015-08-01-
dc.identifier.issn0301-0066-
dc.identifier.urihttp://hdl.handle.net/1822/49995-
dc.description.abstractThe aim of this work was to compare the preferred chromatic composition for unfamiliar paintings with the original. Stimuli were images of paintings generated by rotating the color volume around the L* axis in CIELAB. The images were presented on a CRT. Four paintings were abstract from Amadeo de Souza-Cardoso, two had figurative elements from the same painter, two were abstract and two were figurative from other painters. In each trial a painting selected at random from the set was presented with its color volume rotated by angle selected at random. The task of the observer was to adjust the angle of the chromatic rotation for best subjective impression. Three groups of observers carried out the experiment: 50 without previous knowledge of the paintings, 8 experts in art but unfamiliar with the paintings tested and 6 experts in the paintings of Amadeo de Souza-Cardoso. It was found that the distribution of angles selected for data pooled across paintings for the non-specialist observers could be described by a Gaussian function centered at - 2 deg, i.e. close to the original colors of the paintings, and with a FWHM of 64 deg, just about 1.5 above the threshold to detect a chromatic changepor
dc.description.sponsorshipFEDER through the COMPETE Program and by the Portuguese Foundation for Science and Technology (FCT) in the framework of the project PTDC/MHC-PCN/4731/2012por
dc.language.isoengpor
dc.publisherSAGE Publicationspor
dc.relationinfo:eu-repo/grantAgreement/FCT/5876-PPCDTI/131735/PT-
dc.relationinfo:eu-repo/grantAgreement/FCT/COMPETE/131735/PT-
dc.rightsrestrictedAccesspor
dc.titleThe preferred chromatic composition of unfamiliar paintings is similar to originalpor
dc.typeconferenceAbstractpor
dc.peerreviewedyespor
dc.relation.publisherversionhttp://journals.sagepub.com/doi/pdf/10.1177/0301006616671273por
oaire.citationConferenceDate23 Ago. - 27 Ago. 2015por
sdum.event.title38th European Conference on Visual Perception (ECVP 2015)por
sdum.event.typeconferencepor
oaire.citationStartPage134por
oaire.citationEndPage134por
oaire.citationConferencePlaceLiverpool, UKpor
oaire.citationVolume44-
dc.date.updated2018-01-11T17:07:32Z-
dc.subject.fosCiências Naturais::Ciências da Computação e da Informaçãopor
dc.description.publicationversioninfo:eu-repo/semantics/publishedVersionpor
dc.subject.wosScience & Technology-
dc.subject.wosSocial Sciences-
sdum.export.identifier2332-
sdum.journalPerception-
Appears in Collections:CDF - OCV - Comunicações/Communications (with refereeing)

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