Please use this identifier to cite or link to this item: http://hdl.handle.net/1822/29894

TitleDiasporic identity(ies) and the meaning of home in autobiographical documentary films
Author(s)Macedo, Isabel Moreira
Cabecinhas, Rosa
KeywordsAutobiographical documentaries
Memory
Home
Identity
Issue date2014
PublisherUniversidade do Minho. Centro de Estudos de Comunicação e Sociedade (CECS)
Universidade de Aveiro. Departamento de Línguas e Culturas
JournalRevista Lusófona de Estudos Culturais
Abstract(s)Reconstructed in social contexts, the memories of forced migration experiences such as those lived by filmmakers Diana Andringa and António Escudeiro – who had to leave Angola, the country where they had been born and raised – are now being highlighted, shared, and negotiated in the current audiovisual context. The documentaries analyzed in this work, Escudeiro’s Goodbye, Until Tomorrow (2007) and Andringa’s Dundo, Colonial Memory (2009), allow us to reflect on how these memories of migration experiences are portrayed in contemporary Portuguese cinema. In this article, we argue that autobiographical narratives – oral and visual – are privileged sites for investigating cultural identity and its construction. Our thematic analysis of these two documentaries was complemented by an in-depth interview with the authors. This multi-method approach allowed us to investigate the social and cultural contexts in which they lived, as well as the meanings of home and belonging to the two filmmakers.
TypeArticle
URIhttp://hdl.handle.net/1822/29894
ISSN2183-0886
Publisher versionhttp://estudosculturais.com/revistalusofona/index.php/rlec/article/view/22/76
Peer-Reviewedyes
AccessOpen access
Appears in Collections:CECS - Artigos em revistas nacionais / Articles in national journals

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